All Work
Compote on Stand
Here’s a lidded compote on a separate stand, perfect for parties. It was thrown at the wheel, and decorated with stamps and carving at soft leather-hard stage. 14″ Tall, $250.00. This piece is available.
Compote on Stand
Here’s a lidded compote on a separate stand, perfect for parties. It was thrown at the wheel, and decorated with stamps and carving at soft leather-hard stage. 14″ Tall, $250.00. This piece is available.
Salt-Fired Porcelain Teapot
This is a sweet little 3-cup teapot, with just a hint of copper blush. 5″ Tall, $85.
Salt-Fired Porcelain Teapot
This is a sweet little 3-cup teapot, with just a hint of copper blush. 5″ Tall, $85.
Salt Fired Coffee Cup
A porcelain coffee cup from my March 3, 2013 firing. Beautiful purple-blue glaze inside, with pretty little flecks from the tin. 4.5″ Tall, $40, Sold, others available.
Salt Fired Coffee Cup
A porcelain coffee cup from my March 3, 2013 firing. Beautiful purple-blue glaze inside, with pretty little flecks from the tin. 4.5″ Tall, $40, Sold, others available.
Gold-Edge Platter
This 13″ platter started out on the wheel, and was trimmed when leather hard. It was wrapped in plastic for several days so moisture could even out, and then carved by hand. After bisque firing, slips were applied to enhance
Gold-Edge Platter
This 13″ platter started out on the wheel, and was trimmed when leather hard. It was wrapped in plastic for several days so moisture could even out, and then carved by hand. After bisque firing, slips were applied to enhance
Butter Dish
Here’s a two-piece domed butter dish, thrown at the wheel. After careful trimming and the application of a knob, the pieces are dried together to the correct state for carving. A geometric pattern divides the space, and dot-filled squares divide
Butter Dish
Here’s a two-piece domed butter dish, thrown at the wheel. After careful trimming and the application of a knob, the pieces are dried together to the correct state for carving. A geometric pattern divides the space, and dot-filled squares divide
Large Oval Hand Built Teapot
Previously textured tapered sections were joined with plain clay rectangles to form the body of this large teapot. An oval bottom was applied to the conic body form, defining the final shape. A clay slab oval matching the top opening
Large Oval Hand Built Teapot
Previously textured tapered sections were joined with plain clay rectangles to form the body of this large teapot. An oval bottom was applied to the conic body form, defining the final shape. A clay slab oval matching the top opening
Casserole on Service Plate
Here’s a large, lidded casserole that has a charger or service plate to match. Plate, casserole, and lid were thrown at the wheel from stoneware clay. Handles were applied to the casserole while it was still very soft for best
Casserole on Service Plate
Here’s a large, lidded casserole that has a charger or service plate to match. Plate, casserole, and lid were thrown at the wheel from stoneware clay. Handles were applied to the casserole while it was still very soft for best
Oval Hand Built Teapot
This teapot was hand built from four tapered body sections. An oval clay cutout was applied to the top rim to finish it, and a larger oval was applied to form the bottom. Four beveled feet were applied as the teapot stiffened.
Oval Hand Built Teapot
This teapot was hand built from four tapered body sections. An oval clay cutout was applied to the top rim to finish it, and a larger oval was applied to form the bottom. Four beveled feet were applied as the teapot stiffened.
Hand-built Teapot
This substantial teapot was hand built using a comic pattern. After the pieces were cut, texture was applied with roller tools. A spout made on a mandrel and a pulled handle were added. The lid was also hand built, and
Hand-built Teapot
This substantial teapot was hand built using a comic pattern. After the pieces were cut, texture was applied with roller tools. A spout made on a mandrel and a pulled handle were added. The lid was also hand built, and
Incised Pitcher
12″ tall, this pitcher was intended for daily use. It was thrown at the wheel, and its’ spout was pulled from the pitcher body about half an hour later. After trimming, a throat was shaped in the still-soft clay to
Incised Pitcher
12″ tall, this pitcher was intended for daily use. It was thrown at the wheel, and its’ spout was pulled from the pitcher body about half an hour later. After trimming, a throat was shaped in the still-soft clay to
Salt and Pepper Shakers
Two little salt and pepper shakers sit in their own hand-built box. Made from thin textured slabs, the pieces had additional stamping and carving added at the correct stage of dryness. Small false bottoms conceal rubber stoppers. Bisque was painted
Salt and Pepper Shakers
Two little salt and pepper shakers sit in their own hand-built box. Made from thin textured slabs, the pieces had additional stamping and carving added at the correct stage of dryness. Small false bottoms conceal rubber stoppers. Bisque was painted
Hand-Built Ewer on Plate
This pouring vessel was made from slabs of clay cut using a conic templates. The spout was formed on a mandrel and applied to the teapot. The handle was pulled from the teapot the day after it was formed.
Hand-Built Ewer on Plate
This pouring vessel was made from slabs of clay cut using a conic templates. The spout was formed on a mandrel and applied to the teapot. The handle was pulled from the teapot the day after it was formed.
Stoneware Casserole
This casserole was formed on the wheel, and pattern was carved into the surface after trimming. Extruded lugs were attached when the casserole was very wet for best attachment. After bisque firing, the casserole was glazed on interior surfaces, painted
Stoneware Casserole
This casserole was formed on the wheel, and pattern was carved into the surface after trimming. Extruded lugs were attached when the casserole was very wet for best attachment. After bisque firing, the casserole was glazed on interior surfaces, painted
Milkweed Vase
This vase was thrown from stoneware clay, trimmed, and hand decorated with a floral pattern after several days of drying. Slips were painted onto the bisqued clay, and the vase was fired to cone 10 in a salt kiln. $125,
Milkweed Vase
This vase was thrown from stoneware clay, trimmed, and hand decorated with a floral pattern after several days of drying. Slips were painted onto the bisqued clay, and the vase was fired to cone 10 in a salt kiln. $125,
Sugar Bowl
This little sugar bowl was thrown at the wheel, and then decorated with by the application of a floral and geometric pattern. It was painted with slips. and fired in the salt kiln to Cone 10. $48, 5″ diameter, 4″
Sugar Bowl
This little sugar bowl was thrown at the wheel, and then decorated with by the application of a floral and geometric pattern. It was painted with slips. and fired in the salt kiln to Cone 10. $48, 5″ diameter, 4″
Dogwood Vase
Thrown on the wheel, this vase is 12″ tall. After trimming and careful drying, dogwood imagery was carved into the pot. After bisque firing, slips were painted onto the vase to accentuate the design. $125, Sold, others available.
Dogwood Vase
Thrown on the wheel, this vase is 12″ tall. After trimming and careful drying, dogwood imagery was carved into the pot. After bisque firing, slips were painted onto the vase to accentuate the design. $125, Sold, others available.